Introduction
Human and natural forms dominate my view of sculpture, and how we stand speak and listen shows how we relate to a wider sculptural world
As we observe and touch these forms we are encouraged to think as a sculptor, communicating with chisel and mallet or by word and pitch
We all need a platform to speak from that relates to human and natural forms
As we observe and touch these forms we are encouraged to think as a sculptor, communicating with chisel and mallet or by word and pitch
We all need a platform to speak from that relates to human and natural forms
Sunday 4 April 2010
Sunday 7 March 2010
Exhibition 2004 in studio
Press photograph
From the Coventry Evening Telegraph: Cyril Banks on Success
"THE WORK of a Warwick sculptor is on show at the Warwickshire Museum in Market Place, Warwick, from Saturday.
About 25 sculptures by Cyril Ginn, a retired bank worker, will be on display, marking 60 years of his work.
He said: "It's like a diary. Now I'm 77 and I'm up to date."
He works with oak, alabaster, walnut and elm.
It started when Cyril was 10. His father was a woodcarver and encouraged him to observe shape and form wherever they went. Cyril attended Central School of Art in Birmingham once a week after work."
Friday 20 November 2009
Subscribe to:
Posts (Atom)